Stunning Landscapes

San Diego Natural History Museum
Balboa Park
May 19, 2019

On the spur of the moment, we went to see the 50 Greatest Landscapes exhibit at the Natural History Museum in Balboa Park, because we saw an article about it in the San Diego Union Tribune that morning.  Fifty of the best landscape photographs published in National Geographic magazine are displayed in the museum’s fourth floor gallery.  They are arranged by season.

All of the photos were striking.  Among the Winter photos, we particularly liked one that showed a dusting of snow in Monument Valley and another that showed the Norway sky lit up by the Northern Lights.  In the other sections we liked an interesting time lapse photo of firefly trails at night; autumn frost on trees in a Romanian forest; and chinstrap penguins on a blue iceberg near Candlemas Island in the remote southern reaches of the Atlantic Ocean.  The landscape photos will be on display through June 23; after the exhibit closes, a similar collection of National Geographic wildlife photos will open June 29.

Admission to the museum was included with our annual Balboa Park Explorer pass.  Regular adult admission to the museum is $19.95; there are discounts for seniors, children, students, and military.

Looking out from the fourth floor we could see a bird’s eye view of the giant fig tree next to the museum.  We remember years ago, when we could walk under the tree and climb on its roots and lower branches.  Now, for the protection of both tree and park visitor, there is a fence all the way around the it.

Hurray for Hollywood

Hollywood Museum
Hollywood
September 2, 2018

We drove up to Hollywood and met up with Meredith‘s sister to tour the Hollywood Museum. We have been there twice before, both times with Margaret, but had not visited in several years.

The building itself is a wonderful thing to explore. The museum is located in the old Max Factor building in the heart of Hollywood, on Highland Avenue at Hollywood Boulevard. The ground floor still sports the beautiful marble lobby with the four parlors in which Max met with his celebrity clients. Each is painted a different color. There are separate rooms for blondes, redheads, brunettes, and “brownettes” (Factor’s term for actresses with light brown hair). The wall color in each room is designed to go with the skin tone which best matched the client’s hair. Since many actresses dyed their hair, Factor would adjust the make up for each, to get the right color to have the complexion match her hair.

The back portion of the building was where the Max Factor cosmetics were manufactured and packaged. Nowadays it is used as museum exhibit space.

The entire museum, which covers four floors, is jam packed with artifacts. There are many costumes from movies and television series, numerous props of various kinds, and many photos. The museum collection spans a century of movie and television production. There are several thematic areas, but the museum as a whole is not overly organized. Display cases are crammed full of things, and the visitor is constantly stumbling across artifacts from an old favorite movie or show.

We went this weekend to see the Batman 66 special exhibition, a collection of costumes and props from the old Batman television show of the 1960’s starring Adam West and Burt Ward. It was fun seeing the old villain costumes and a replica of the Batmobile. We learned that it was built on the frame of a Lincoln Futura concept car, complete with the bubble windshield. Several video screens were running clips from the old show. We were particularly struck by a sequence that had Batman and the Joker surfing side-by-side, apparently in some sort of competition, with board shorts worn over their regular costumes. Several display cases featured related collectible memorabilia from the time: action figures, trading cards, board games, buttons, and a variety of toys.

The old Batman TV show debuted when we were in kindergarten, and it was a sensation. Meredith remembers a “Bat Party” her mother hosted for her and her classmates, to which most of the children wore capes. Party games were Batman themed and prizes and favors were Batman items, like a 45 record with the Batman theme song.

After the museum visit we had lunch next-door at Mel’s Diner. Then Kathleen left, and the two of us walked over to Grauman’s Chinese Theater, to look at the celebrity footprints and handprints in the cement.

Adult admission to the Hollywood Museum is $15, and visitors should plan to pay cash in addition to park nearby in Hollywood. There is a small lot next to the museum and other parking nearby on the weekend at Hollywood High School.

Bowers Museum

Bowers Museum
December 17, 2017
Santa Ana

We headed north to see the Bowers Museum, which has a large and eclectic art collection. Meredith’s sister Kathleen had suggested visiting it, and after several unsuccessful attempts to find a date in common with her, we decided to see it on our own.

We spent much of our time in two special exhibitions: first we saw Endurance, the Antarctic Legacy of Sir Ernest Shackleton and Frank Hurley, and next we visited Empress Dowager Cixi, Selections from the Summer Palace. We also toured the oldest parts of the museum and looked at the early California collection.

We were fascinated by the Shackleton exhibition. It is built around the stunning photographs and motion pictures taken by expedition photographer Frank Hurley, of the Imperial Trans-Antarctic Expedition (1914-1917). The negatives have been newly digitized and show remarkable detail, and his compositions are striking. The museum has laid out the exhibition in chronological order, with brief explanations of the various hardships and twists and turns of the expedition’s journey, illustrated by Hurley’s photos and films. The museum is also screening an hour long documentary about the Shackleton expedition from the first sailing to Antarctica, through the long confinement in the pack ice, the row to uninhabited Elephant Island, the open water journey to South Georgia island, and the trek across that island to the whaling station, where Shackleton finally returned to the outside world. A replica of the boat in which Shackleton sailed from Elephant Island to South Georgia Island, a distance of over 720 nautical miles, is displayed in the courtyard of the museum just outside the restaurant.

The Empress Dowager Cixi (whose name is transliterated Tz’u Hsi in older western texts and pronounced “she she,” we think) was originally an imperial concubine. When her son became emperor as a child, she ruled as regent and continued her regency during the minority of her nephew. In all, she ruled China for nearly five decades, from 1861 to 1908. The special exhibition at the museum has many decorative items from her Summer Palace. The furniture on display includes a beautiful and ornate throne set. There are many beautiful Chinese art works, including some calligraphy and painting done by the empress herself. Beautifully embroidered silk gowns are displayed. Bob’s eye was caught by a large carved tourmaline stone mined in San Diego and exported to China, where it was carved as a decorative object. The Empress was interested in Western technology and art, and her interest is reflected in the collection, with objects such as English table clocks. Meredith enjoyed seeing the 1901 Duryea Surrey automobile which one of the empress’ generals imported from the United States as a gift to her. It had a three cylinder, 10 hp engine and was capable of speeds up to 25 mph.

The Shackleton exhibition runs through January 28, 2018. The Empress Dowager exhibition runs through March 11, 2018.

We had lunch at the museum restaurant, Tangata. Service and food were both excellent. It is somewhat pricey. It can be accessed by the general public as well as museum visitors.

After lunch, we visited the oldest parts of the California collection, the Native American and mission era rooms. The California collection is housed in the oldest part of the museum complex, the original building constructed in the 1930’s. There are some very beautiful woven baskets which Meredith‘s late mother Margaret would have loved. In addition to the artifacts on display, the Segerstrom gallery features a beautiful carved wooden ceiling.

We decided to leave for another day the rest of the museum’s permanent collections, which include such things as California plein air paintings, Mexican ceramics, Pacific Island art and artifacts, Pre-Columbian art, and Chinese and Japanese art.

General admission is $15 for adults on weekends, $13 on weekdays; the Empress Dowager exhibit had an additional entry fee. Students and seniors enjoy discounts, and children under 12 are free with paid adults. The museum is closed on Mondays. Parking costs $6, but is free with restaurant validation. Handicapped access is good. In the modern building, everything is at a level. In the older building, there are some steps down into the Native American room, but it was retrofitted with a wheelchair lift.

Heritage Park

Heritage Park
Lynnwood, Washington
May 27, 2017

We ventured out from San Diego, and flew north to spend Memorial Day weekend with our daughters who live in Washington State, near Seattle. We brought the California weather with us – sunny and in the 80’s.

Our youngest daughter teases us that our super power is finding a museum anywhere. Bob rose to that challenge. On Saturday we bought sandwiches to go at a local Subway then headed to Heritage Park in the Alderwood area of Lynnwood, a town just north of Seattle. We enjoyed a picnic outside, under a pine next to ferns and moss-covered rocks – things you definitely do not see in Southern California!

After the picnic we explored the historic buildings and small museums located in Heritage Park. At each stop we met and chatted with docents who excelled in both enthusiasm and knowledge. All exhibits offered free admission; we left donations in the various donation jars.

First stop was the Wickers Building, known originally as the Alderwood Manor Main Store. This building was built 1919 and used as a general store for much of its existence, then as a plumber’s shop and finally as an appliance parts store. Like the other Heritage Park structures, it was relocated to this spot; it would otherwise have been demolished to make room for the freeway. Inside the building we chatted with the woman running the visitor center, whose knowledge of Washington State was truly encyclopedic. She seemed to want to plan outings for us for every day of our visit.

We then stepped into the newly opened Northwest Veterans Museum, a one room museum with a good, and varied, display of artifacts in display cases, one case for each major war from World War I to the present. This small museum was run by two knowledgeable volunteers, and they had a plate of delicious homemade cookies on offer. Among the artifacts was a uniform that had belonged to Col. Mary V. Fager, an Army nurse who served from World War II to the 1970’s.

After seeing the Veterans Museum, we went upstairs to tour what had been the apartment space for the Wickers family, who ran the store for several decades. It was furnished with the sort of items they might have had around 1934 when their daughter was born.

Our second stop was Interurban Car 55, the last survivor of six trolley cars that served the Alderwood – Seattle – Everett electric car line from 1910-1939. It was used as a roadside diner for a while after its retirement. It has since been beautifully restored. We looked at the trolley car from a distance; it is fenced off most of the time. A docent who saw us admiring it came out to tell us that there will be an open house on June 10 when visitors can go inside the enclosure and into the car itself. We told our daughter she should plan to go back and see it then.

We then went into the Superintendent’s Cottage, which dates from 1917. This building was the home for the superintendent of the Demonstration Farm, a large hatchery. In 1922 Alderwood Manor, Washington was the second largest egg producer in the nation. Who knew? Inside that cottage there are fascinating sets of “then and now” photos of locations in and around Lynnwood, and also maps of the area over the past century of development. We learned the origin and backstory of several local landmark buildings.

Our final inside visit was to the Humble House, and even though we arrived when it was officially closing, the volunteer on duty insisted we come in. That cottage was built in 1919 and is typical of the farmhouses in the area at that time. The local genealogy society keeps its library in the cottage. We chatted with the woman on duty, who like us has roots in Massachusetts. She graduated from the University of Massachusetts. Together we chuckled a little over the local view that things that date back only a century are “old” – not the frame of reference we have in New England, first settled in the 17th Century, or even in California, with Spanish missionaries founding Mission San Diego in 1769.

Next to Humble House is a gigantic rhododendron. We were impressed with its size and profuse blooms, then later noticed many more large rhododendrons as we drove around. Like the ferns, not something we see much of in Southern California. Funny how well plants grow when you give them some water.

Before we left the park we walked around the Water Tower. This structure, like the Superintendent’s Cottage, was part of the Demonstration Farm. It has been relocated but not yet restored. There is no water tank on top of it, and the interior is not open for visitors. The historical society wants to refurbish it but lacks funds to do so currently.

Skirball — Manzanar

Skirball Cultural Center
November 7, 2015
Sepulveda Pass

We took Margaret to see two special and related exhibitions: Manzanar: The War Time Photographs of Ansel Adams, and Citizen 13660: The Art of Miné Okubo. Both exhibitions run through February 21, 2016.

Skirball_Manzanar

The Manzanar exhibition, offered in association with the Japanese American National Museum, is centered on photographs taken by Ansel Adams during World War II at the Manzanar internment camp in the Owens Valley. The exhibit also features work of two other photographers, Dorothea Lange and Toyo Miyatake. We signed up for the docent led tour of the exhibit and learned a great deal about the background of all three photographers.

Lange’s work was commissioned by the government but turned out to be too stark and realistic for the authorities. Her photos were suppressed at the time, buried in government archives and only released several decades later. Adams went to the camp later and was given a better reception, in part perhaps because of his acquaintance with the camp commander. Also, his focus was more on the everyday life of the inhabitants, and less on the grim aspects of their life in the camp. Adams published a book of those photos in 1944 while the war was still going on, Born Free and Equal, and through it he criticized the government’s policy of relocating Japanese-Americans to the camps. The entire book can be seen online at the Library of Congress website. The third photographer whose work is displayed in the exhibit is Toyo Miyatake, a Japanese American who was himself incarcerated during the war. Although cameras were not allowed in the camp, he smuggled in a lens and film holder and managed to construct a camera which he used to document life inside the camp.

The exhibit also contains other artifacts from the time, including anti-Japanese propaganda, pamphlets put out by the Society of Friends protesting the relocation and internment policies, and everyday objects from the Manzanar camp, such as the camp newspaper and high school yearbook. Several videos and other displays explain the controversies that arose with the government questionnaires camp inhabitants were required to fill out, including key questions about whether they would fight for the United States and renounce loyalty to the Emperor of Japan.

We next went on to the exhibit Citizen 13660, featuring the art of Miné Okubo. She was a Japanese American artist who studied in Europe. She came home to the United States after World War II broke out and was soon caught up in the forced relocation and internment. She sketched scenes of her experience from throughout her journey: from Europe, back to the U.S. hearing the news of Pearl Harbor, then at the Tanforan transfer station in San Bruno, and then at the Topaz camp in Utah to which she and one of her brothers were sent. In 1946 she published a book, Citizen 13660, containing those sketches together with narrative explanations. Today we might call her book a graphic novel. It is an important first person witness to the entire relocation and camp experience. We bought a copy in the museum gift shop which Meredith is currently reading. She promised to pass it along to Margaret, who expressed interest in it.

We then spent a little time in the museum’s permanent collection, Vision and Values, about the Jewish experience through history and particularly in America. The area has been re-organized since we last visited it. We enjoyed the display cases on life stages and also on religious holidays.

We ate lunch at the museum restaurant, Zeidler’s. The food there is consistently excellent, and the prices are reasonable for what they serve. Margaret and Meredith each had cheese blintzes; Bob had the salmon burger. Both dishes were served with ample sides of fresh fruit.

The Skirball is just one of three museums in Los Angeles which participates in the Bank of America Museums on Us program. On the first full weekend of each month, Bank of America debit or credit card holders can get in for free. Regular adult admission is $10 for adults. Parking is free.

We skipped our usual Starbucks stop and had our coffee break at the Skirball’s snack bar, then took Margaret home and rushed back to San Diego. We wanted to get home early, to be there when our middle daughter brought us the latest addition to our household, Casey, a mellow and friendly cat whose foster owner felt he would be happier in a home where he is the only cat.

Casey_with_Meredith

Hammer Museum

Hammer Museum
Westwood
August 1, 2015

Enough digression for now! Time for a blog post which is both about a museum AND located in Southern California. On this visit we took Margaret to the Hammer Museum. We have taken her there several times before, although not since we started keeping this blog. The Hammer has several things to recommend it: admission is free, the permanent collection includes some very nice pieces, and it is relatively close to Margaret’s home in the Valley, although traffic is usually bad on the West Side. We are not big fans of contemporary art, which is the Hammer’s focus, so we only visit there when there are exhibitions of particular interest to us.

Today we saw all three of the featured special exhibitions. The Afghan Carpet Project is displayed in a small gallery on the ground floor and consists of six handmade carpets, all designed by contemporary Los Angeles artists, then handmade by weavers in Afghanistan. That exhibit runs through September 27, 2015, and when it has closed the carpets will be sold and the proceeds given to the nonprofit organization Arzu Studio Hope, working in Afghanistan.

Hammer cat

We enjoyed the photography exhibition Perfect Likeness: Photography and Composition, which runs through September 13, 2015. Meredith had seen a review of the exhibition in the Los Angeles Times, Making Photos, Not Taking Them. As the title of the exhibition suggests, the photographs featured are very beautiful and carefully composed, truly works of art in photographic media. Meredith was particularly taken by a large photo of a river landscape. Margaret was struck by a still life featuring a cat statuette and a vase of flowers. Bob liked a camera shop photo staged recently but based on an old snapshot of a camera store in the 1930s. The third special exhibition, Scorched Earth, features paintings and mixed media pieces by Mark Bradford. It runs through September 27, 2015.

We finished our visit with a swing through the permanent collection, which features traditional art, mainly paintings, from the Renaissance through the Impressionist era. Several signature pieces are currently not on exhibit, and a guard said they were on loan to other museums. The galleries have been rearranged so no obvious holes in the collection exist. There were plenty of nice pieces left for us to enjoy, including a large Eakins painting and a small Monet.

Hammer cafe

Partway through our visit we stopped to have lunch in the museum café. The menu was more extensive than we had recalled, and we all enjoyed our meals. Margaret had a BLT, Bob a grilled ham and cheese sandwich, and Meredith salmon benedict. The café is located in the museum courtyard, and the setting is quite pleasant, shaded by Chinese elms. The menu prices were a little high, but not unusually so for a museum restaurant or for Westwood.

As noted above, museum admission is free. (Their slogan is “free for good.”) On Saturday and Sunday parking costs a flat $3 charge for all day; during the week parking costs $3 for 3 hours with validation by the museum. Wheelchair accessibility is generally good. The elevator is quick and serves all floors. However, doors into galleries are heavy and do not have automatic opening mechanisms. Staff and other patrons assisted us with those doors today.

Margaret finds the car to wheelchair transfers harder than before. She tires easily. We are hoping that physical therapy will help her build strength so she can stand longer and take more steps, and we are trying to encourage her.

Huntington Library

Huntington Library, Art Collections, and Botanical Gardens
San Marino
February 1, 2015

The two of us made this visit without Margaret. Pasadena and the adjacent area boast several excellent museums, but they are too far from the San Fernando Valley to make it easy to bring her here.

We were in Pasadena for the weekend volunteering as extras on the set of Phd Movie 2, the second movie based on Jorge Cham’s webcomic, Phd Comics. The first movie can be streamed here. We were in several scenes filmed Saturday, on the Cal Tech campus, but they did not need us for Sunday, so we headed to the Huntington right after church.

Huntington_entrance

The Huntington is an extensive facility and even though we were there all day – weekend hours are 10:30 AM to 4:30 PM – we could not see it all. We decided to focus mainly on art, skipping the library building and seeing only part of the gardens. We first toured the European art collection, which is housed in the building which used to be the Huntington family mansion. It has a particularly strong English collection, including such artists as Gainsborough, Constable, Turner, and Reynolds. The museum has a particularly well known Gainsborough piece, The Blue Boy, and across the gallery is a portrait by Lawrence of a young girl known as Pinkie. The bulk of the European collection dates from the 18th and 19th centuries.

We next went on to the American art building. It holds pieces representing all periods from colonial through modern, and it was interesting to look at the pieces that were contemporary with the European art we had seen in the prior building. In the special exhibit gallery in that building was Samuel F. B. Morse’s painting Gallery of the Louvre dating from 1831-1833. Best known as the inventor of the telegraph, Morse began his career as a painter. In this colossal work he shows a gallery within the Louvre, populated with nearly 40 selected paintings of his choosing, including a variety of both sacred and secular works, such as the Mona Lisa, Caravaggio’s Fortune Teller, and a Raphael Madonna and Child.

In both buildings the decorative arts were also represented, and there were contemporary furniture pieces displayed with the paintings and sculpture, particularly in the American collection. We particularly enjoyed a room in the American art building given over to Arts and Crafts pieces and the work of Greene & Greene.

We went on from the American art building to see a special exhibition in a third building, the Boone Gallery, which was displaying photographs by Bruce Davidson and Paul Caponigro. The exhibition displayed photographs they each took during visits to Britain and Ireland in the 1960s and later. The exhibition was quite extensive and really gave a sense of photography as an art form, with compelling photos both of locations and people.

Huntington_M

As we walked around the gardens from one building to another and briefly over to the Chinese garden at the far end of the property, we saw many families with small children. We had not seen small children in the art galleries (wise parents), but we can understand that the gardens would be a wonderful place to stroll with family on a nice day. We saw a number of beautiful flowers in bloom. The rose garden, of course, was dormant given the time of year, but must be spectacular when in bloom. We did go into the conservatory building and stroll through the rain forest and bog rooms, looking at various orchids and also carnivorous plants.

Although we did not have Margaret with us, we did look around to assess wheelchair accessibility, which generally seems quite good. The grounds are so extensive that it might be a challenge for a manual wheelchair user, just because of the distances, but the grounds are mostly flat or gently sloping. We were surprised to see that the elevator in the European art building was out of service, and if we had brought Margaret we would not have been able to take her up to the second floor. A guard told us that was a rare occurrence, however.

We picked up sandwiches in the café and ate at tables outdoors. We each chose smoked salmon with cream cheese on a bagel and had some fresh fruit on the side. The food was pricey but of good quality.

Admission is $23 for adults. There is no additional charge for parking.

Museum of the San Fernando Valley

Museum of the San Fernando Valley
Northridge
January 3, 2015

A brand new museum in the San Fernando Valley, near where Margaret lives? We are so there! We read about this museum in the Los Angeles Times, which ran an article when the museum opened in December.

SFValley2

The museum is in an office building, at 18860 Nordhoff Street in Northridge, in a relatively small suite on the second floor. Although it is not large, it is well laid out, and the exhibits are well labeled. The docents were friendly and very well-informed. There were three volunteers working the museum, basically one per room, and they were all enthusiastic. We think this museum has the highest docent per square foot ratio we have seen.

The World War II room has a corner devoted to the remarkable ace pilot Clyde East, including a piece from the fuselage of his fighter plane “Lil Margaret.” A QR code on the wall gave us a link to an extensive video about him. Clyde retired to the Valley after a long and distinguished career in the military and just passed away within the last year. Museum volunteer Art Sherman was on duty and showed us around that room, explaining all the items on display, including items he had donated to the museum from his time in the Army Air Force, as a bombardier and intelligence officer. Among various items in the room are interesting photos of the camouflaging on the Lockheed facility, several aerial maps, and photos of the “Wings over Wendy’s” veterans group which meets in West Hills.

SFValley1

Another room features photos and artifacts provided by the Westmore family, leading make up and hair design artists in Hollywood for many years. Other walls feature photos taken by leading photographers Leigh Wiener and George Hurrell, historical photos from the Valley News, and architectural photos of noted Valley buildings, both old and modern.

The final room is devoted to art created by Valley artists, most notably sculptor Henry Van Wolf.

The museum organization has existed for about a decade, but this is their first opportunity to display their collection in space of their own. They have done an excellent job. Admission is free, but donations are gratefully accepted. The museum is currently only open three days a week.

Wheelchair accessibility was fine, with an elevator up to the second floor. Parking was ample and free, at least on the Saturday we visited.

The website needs a little updating; it appears to date from before the opening, when the “museum” was just an organization with a collection but no site to display it. Hopefully the website will be updated soon, to reflect the recent opening and give potential visitors easier access to practical information like opening times.

We had lunch at Maria’s Italian Kitchen in Northridge before going to the museum. We have eaten there before, and other family members like it, too. Food and service were both excellent. Margaret had a chicken panini; Bob had a meatball sandwich; and Meredith had a salad. We were all pleased with our food.

Over lunch we filled Margaret in on family business. She was sorry to hear of her older sister’s recent hospitalization, and we helped her write a get well card.

Valley Relics Museum

Valley Relics Museum
Chatsworth
May 31, 2014

We went back to the Valley Relics Museum in Chatsworth. This trip was our second visit; we first learned about the musuem through a Los Angeles Times article and visited last winter, shortly after it opened. Meredith’s sister Kathleen accompanied us this time. She follows the museum on Facebook but had not previously visited it. The museum is housed in warehouse space, with three small rooms and one large open space.

Meredith and Kathleen both attended high school in the San Fernando Valley, and we are comfortable there, but we do not tend to associate the Valley with museums or high culture. The Valley Relics Museum has a delightfully offbeat assortment of signs, photos, and assorted memorabilia associated with the Valley from the early 20th century on. Tommy Gelinas, the owner and curator, is very knowledgeable about the history of the Valley and various now-gone shops, restaurants, and other sites. When we arrived, he was in the lobby explaining several items to other visitors and answering questions.

The collection has expanded since our first visit just six months before, and the website has been revamped and expanded as well. The museum is full of the sort of things we used to see everywhere and take for granted, like signs for Green Stamps and an old Wurlitzer jukebox. One of the smaller rooms has lots of old black-and-white photos of Western movie stars associated with the Valley, and that room was of particular interest to Margaret, who is a fan of old Western movies. Bob and Meredith liked one of the new additions, a classic VW beetle that was hand painted by a local artist, with various historical themes on different parts of the car.

VRelics

The museum is on Marilla Street just beyond the end of Canoga Avenue. We had a little trouble finding it the first time because it is in industrial space and not marked prominently. There is no handicap cut out immediately in front of the museum. Tommy assisted us with getting Margaret and the wheelchair inside.

There is no café at the Museum. Prior to this visit, we stopped at the Bob’s Big Boy in Northridge.

Getty Center – Photography

Getty Center
Los Angeles, Sepulveda Pass
May 17, 2014

On this recent visit, we went to the Getty Center primarily to see a special exhibition of photographs of Queen Victoria and her family (“A Royal Passion: Queen Victoria and Photograph”), which we learned of through a Los Angeles Times article.

We have been to the Getty a number of times before. When we first started our museum odyssey we steered clear of it, intimidated by the large scale and thinking it was not worth the trip if we were not going to spend a full day. At the time we did not realize that admission is free. The only cost to get in is $15 per car to park. If you come by public transport, then there is no cost. (On this particular visit the pay parking machines were not working, so everyone was able to leave without paying for parking.) We now visit the Getty whenever there is a special exhibition we are interested in, and we usually take some time after that to visit one or two of the permanent galleries.

We will not try to give a full description of the museum here. Suffice it to say it is a really splendid institution. In addition to its outstanding collections, the architecture, gardens, and setting are all beautiful. The one drawback is that access to the museum is from the 405 in the Sepulveda Pass, which is an area of Los Angeles Meredith likes to refer to as her personal purgatory because of the ever-present traffic congestion.

The photos of Victoria, Albert, and their children spanned the entire period of her reign. Photography was first invented just two years after Victoria became queen, so she was the first of the English Royals to be photographed. In the early years the photos were informal, private photos taken for the family’s own enjoyment. Later photos in the exhibit include the formidable official portraits more familiar to us. We were struck by the explanation next to one of the last photos that the negative was retouched to make the queen look slimmer and less wrinkled; the beginning of photo retouching! We also liked a 38 second silent video, quite good quality, of the queen in her carriage in the procession for her Diamond Jubilee in 1897.

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Near the Victoria photos was a gallery with a special Ansel Adams exhibit of photos. The Yosemite photos were perhaps the most striking, but what Margaret and Meredith enjoyed most were three video excerpts of interviews with the artist. We went on from the special photography exhibitions to see a special showing of Jackson Pollock’s painting, Mural, then finished with the 19 century European paintings on the upper level of the same building. Those are part of the permanent collection, and we always enjoy looking at them. But let’s face it, who doesn’t enjoy Monet?

We ate lunch, as we usually do, at the museum café. We have not yet tried the museum restaurant; the prices are a bit more expensive than we like to pay. The café – located on the lower level of the same building as the restaurant — is a cafeteria with half a dozen different stations. It offers Mexican food, pizza, sandwiches, burgers, and a few other options. The food is good; the prices are a little high but comparable to other museum cafés. The hostess was quite helpful and made a point of telling us we should ask her if we would like help carrying the trays. Once we had our food, she came over promptly and carried one of our trays, while Bob carried the other and Meredith pushed Margaret in her wheelchair.