Tag Archives: Native American

Center for Wooden Boats

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Center for Wooden Boats
Lake Union, Seattle
May 25, 2024


We took advantage of the Memorial Day weekend to fly up to Seattle to visit two of our children. They live together north of the city, far from Sea-Tac airport. Fortunately, we discovered a few years ago that Alaska Airlines runs a service to Paine Field in Everett which is about ten minutes from the kids’ house. We recommend that airport if that fits your travel plans; it is small and quick to get through, and the waiting area boasts a bar, two fireplaces, ample and comfortable seating, and a wonderful view.

On the Saturday of our visit, we all went down to Lake Union to visit the Center for Wooden Boats. We had learned about its existence in the Los Angeles Times, strangely enough. On Sunday, May 19, the paper ran a special section titled The 101 Best West Coast Experiences. Bob set it aside, but Meredith waded through it and came up with this gem—our youngest has said that her folks’ super-power is finding obscure museums! The article piqued our interest and we planned to make that our family outing this trip.

The Times article mentioned that it is possible to reserve a “Peapod” rowboat to use for free for one hour with an advance reservation. Meredith went to the website but did not find any slots open that day. We decided to visit the museum anyway.

The museum is small but interesting. There are a number of small wooden boats of various types suspended in the visitor center with explanatory plaques nearby—go up the stairs to view the boats from above and read about them. There are also displays about the process of building wooden boats on the upper level, with examples of the tools used in the process. We came away with a definite understanding of the difference between a “clinker built” boat and one that was “carvel built”! As we arrived, a boat building class was concluding in the workspace; this can be viewed from the upper level by visitors. There is also a large classroom area upstairs where a sail making course was being conducted. But, as the docent said when we arrived, the real museum is on the water.

We proceeded to the dock area. On the way we passed a display of two traditional dugout canoes under a protective roof. Another volunteer told us that they were the work of a local boat builder, himself a member of the Tulalip tribe, the guide said. They were fascinating: carved from single huge logs and painstakingly shaped by the use of water and heated stones to achieve their final form.

On the docks we saw a variety of boats. Some are smaller rowing boats and canoes, while others are larger sailing vessels. On the floating dock is a workshop from which wafted scents of wood, pitch, and paint over the waters. One young volunteer was being taught how to drill holes through thick timbers to insert lap bolts—part of an ongoing project to repair and upgrade the Center’s docks.

In the end, we found an unexpected bonus. When we asked, we found they had boats available to take out after all, and three of our group went out for a row. We proceeded to don life vests and enter the “Peapod,” though ours was not a true “double ender.” We were curious about the name. Peapod was a boat type developed in Maine for use in near-shore lobstering.



After a practice lap around the sheltered pool by the workshop, admiring the lilies and a turtle on a rock enclosure in the middle, Meredith guided us out onto the lake. It is quite unlike the rowing Meredith does at ZLAC Rowing Club, where she rows in modern shells. She and our youngest had fun dividing the rowing between them. Bob manned the stern and took a few pictures. It was a wonderful day after a damp morning, which might have discouraged the people who had claimed the reservations, and we enjoyed all of the views: toward Lake Washington, off toward the locks that lead to Puget Sound with the Space Needle and Museum of Pop Culture in sight to the south, and keeping a wary eye on other lake traffic, including the seaplane offering tours.


It was a wonderful few hours. That area offers many dining options, and we chose to walk a few blocks to Tanoor, an excellent Lebanese restaurant, new to us but well reviewed.

Parking is limited close to the center and is park and pay. Their site offers suggestions for parking; we parked in a commercial space under an office tower two blocks away.

Alaska Museums

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Klondike Gold Rush National Historical Park
Skagway Museum
Sheldon Jackson Museum
June 23 and June 26, 2018
Skagway, Alaska
Sitka, Alaska

The National Park Service has several museum buildings in Skagway, right near the cruise ship landing. We watched a 25 minute video about the Klondike gold rush of 1896-1899 at the visitor center. Skagway and the nearby (now deserted) town of Dyea were jumping off points for “stampeders” who came by ship then went overland on the Chilkoot Trail from Dyea or the longer but less steep White Pass Trail from Skagway. They endured great hardships because they had to traverse the trails many times, hauling food and gear sufficient to last through the winter, a requirement imposed by Canadian Mounties as a condition of entering their country.

The historic district is about twelve blocks long and two blocks wide. The National Park Service maintains several museum buildings: the visitor center, the Mascot Saloon, a junior ranger center, and the Moore Homestead. Skagway boasts many gold rush era wooden buildings, and we enjoyed strolling up and down its main street, stopping to enjoy some spruce tip blonde ale.

We visited the Skagway city museum and learned about local Native American cultures as well as more about the gold rush era.

There was also a sobering display about the wreck of the S.S. Princess Sophia in 1918, which sank with no survivors after it hit the Vanderbilt Reef on the way from Skagway to Seattle. Although the ship remained on the rocks for about 40 hours, and other ships were nearby, the weather was too severe to allow for putting off lifeboats. At least 343 lives were lost. Reading about it made us slightly nervous to be sailing the same waters by ship, but of course navigational equipment has improved, and we enjoyed better weather.

In the town of Sitka we found an excellent museum devoted to native Alaskan peoples, the Sheldon Jackson museum. Meredith’s mother Margaret would have really loved it! There were many fine pieces on display – baskets, tools, clothing, kayaks and canoes, and a number of other items.

The building’s octagonal structure allows for maximum display room, with cases on the exterior walls, a ring of tall cases inside that, and then another ring of chest-high cases with displays on top and drawers that can be pulled out to see additional items. In the very center were several totem poles. Everything was well organized and labeled.

Bowers Museum

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Bowers Museum
December 17, 2017
Santa Ana

We headed north to see the Bowers Museum, which has a large and eclectic art collection. Meredith’s sister Kathleen had suggested visiting it, and after several unsuccessful attempts to find a date in common with her, we decided to see it on our own.

We spent much of our time in two special exhibitions: first we saw Endurance, the Antarctic Legacy of Sir Ernest Shackleton and Frank Hurley, and next we visited Empress Dowager Cixi, Selections from the Summer Palace. We also toured the oldest parts of the museum and looked at the early California collection.

We were fascinated by the Shackleton exhibition. It is built around the stunning photographs and motion pictures taken by expedition photographer Frank Hurley, of the Imperial Trans-Antarctic Expedition (1914-1917). The negatives have been newly digitized and show remarkable detail, and his compositions are striking. The museum has laid out the exhibition in chronological order, with brief explanations of the various hardships and twists and turns of the expedition’s journey, illustrated by Hurley’s photos and films. The museum is also screening an hour long documentary about the Shackleton expedition from the first sailing to Antarctica, through the long confinement in the pack ice, the row to uninhabited Elephant Island, the open water journey to South Georgia island, and the trek across that island to the whaling station, where Shackleton finally returned to the outside world. A replica of the boat in which Shackleton sailed from Elephant Island to South Georgia Island, a distance of over 720 nautical miles, is displayed in the courtyard of the museum just outside the restaurant.

The Empress Dowager Cixi (whose name is transliterated Tz’u Hsi in older western texts and pronounced “she she,” we think) was originally an imperial concubine. When her son became emperor as a child, she ruled as regent and continued her regency during the minority of her nephew. In all, she ruled China for nearly five decades, from 1861 to 1908. The special exhibition at the museum has many decorative items from her Summer Palace. The furniture on display includes a beautiful and ornate throne set. There are many beautiful Chinese art works, including some calligraphy and painting done by the empress herself. Beautifully embroidered silk gowns are displayed. Bob’s eye was caught by a large carved tourmaline stone mined in San Diego and exported to China, where it was carved as a decorative object. The Empress was interested in Western technology and art, and her interest is reflected in the collection, with objects such as English table clocks. Meredith enjoyed seeing the 1901 Duryea Surrey automobile which one of the empress’ generals imported from the United States as a gift to her. It had a three cylinder, 10 hp engine and was capable of speeds up to 25 mph.

The Shackleton exhibition runs through January 28, 2018. The Empress Dowager exhibition runs through March 11, 2018.

We had lunch at the museum restaurant, Tangata. Service and food were both excellent. It is somewhat pricey. It can be accessed by the general public as well as museum visitors.

After lunch, we visited the oldest parts of the California collection, the Native American and mission era rooms. The California collection is housed in the oldest part of the museum complex, the original building constructed in the 1930’s. There are some very beautiful woven baskets which Meredith‘s late mother Margaret would have loved. In addition to the artifacts on display, the Segerstrom gallery features a beautiful carved wooden ceiling.

We decided to leave for another day the rest of the museum’s permanent collections, which include such things as California plein air paintings, Mexican ceramics, Pacific Island art and artifacts, Pre-Columbian art, and Chinese and Japanese art.

General admission is $15 for adults on weekends, $13 on weekdays; the Empress Dowager exhibit had an additional entry fee. Students and seniors enjoy discounts, and children under 12 are free with paid adults. The museum is closed on Mondays. Parking costs $6, but is free with restaurant validation. Handicapped access is good. In the modern building, everything is at a level. In the older building, there are some steps down into the Native American room, but it was retrofitted with a wheelchair lift.

San Diego Museum of Man

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San Diego Museum of Man
Balboa Park
April 19, 2016

Meredith played hooky from work and went to Balboa Park on a Tuesday afternoon, to take advantage of a couple of the museums offering free Tuesday admission to San Diego County residents. Most of the park’s museums participate in this program once a month, on a rotating basis. This day was a third Tuesday, which meant the participating museums that day were the Museum of Man, the Museum of Art, the Mingei Museum, and the Japanese Friendship Garden.

Meredith had hoped to see the cannibal exhibit, Cannibals: Myth & Reality, but that is a special exhibition with a separate, paid admission, so she decided to skip it this time and see it later when we can both go. That exhibit is scheduled to run through 2018, so there should be plenty of opportunity.

Meredith found the exhibit on race, Race, Are We So Different?, to be particularly interesting. There was a timeline of race perception and laws with good factual information, and a self portrait section with subjective descriptions. She was struck by the woman whose heritage mixed many ethnic groups, who wrote of herself “I’m what’s on the spoon when you pull it out of the melting pot.” The museum’s website advises this exhibit will be temporarily closed from May 20 through June 5, 2016.

Museum_man_Mayan

She strolled through various other exhibits about the Maya, the Kumeyaay, the history of beer, monsters, and primates. Exhibits are well laid out and accompanied by helpful written information.

As noted above, Meredith’s visit was on a free Tuesday. Regular admission is $12.50 for adults, $20 with the cannibal exhibit included. There are reduced rates for seniors, military, youth, and students. There is a small additional charge for those who want to buy timed tickets and climb the California Tower, with views out over the park. Balboa Park offers free parking, but lots can be crowded, and visitors may need to park at a distance and walk or take a tram.

Whidbey Island

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Whidbey Island, Washington
March 19-20, 2016

We flew to Seattle to visit with our oldest and youngest daughters and our daughter-in-law. Last time we visited them we enjoyed exploring Bainbridge Island, and we were intrigued by the idea of further island explorations. This year we decided to explore Whidbey Island, and we took the ferry from Mukilteo to Clinton, at the southern tip of Whidbey.

The scenery was magnificent — snow capped mountains to east and west, water, farms, and trees — all very different from what we see in San Diego.

On our drive north from Clinton, we stopped at Fort Casey State Park. This site is now a state park; formerly it was an army base with coastal defense artillery. Two large (10 inch barrel) guns are still in place for viewing, together with their massive carriages, and two of the 3 inch barrel guns are also on display. Our youngest daughter liked the maze of underground rooms and the artillery “dumb waiter” (our term) which was once used to raise the shells to the guns. From the ramparts we could see out over Admiralty Inlet across to the Olympic Peninsula. We were lucky to come on a free pass day; generally Washington state parks charge a fee of $10 per car per day for a Discovery Pass, or $30 for an annual pass.

Whidbey_FtCasey

Within the park, just a short walk from Fort Casey, is the Admiralty Head Lighthouse, built in 1903 and used until 1922. We watched a video with archival footage of live firing practice of the big guns at Fort Casey. Bob and the girls climbed up the lighthouse tower. (Meredith waited on the landing.) There is no lamp in the lighthouse now, but there is a great view from its tower. On the ground floor there are several exhibits, including other lighthouse lenses typical of ones used in that period. Meredith was interested by the wooden library box; every few months the lighthouse service would deliver a box containing an assortment of books, both fiction and non-fiction, for the keeper to read.

Whidbey_lighthouse

We went on to the Island County Historical Society Museum, located near the waterfront in Coupeville, a scenic small town founded in 1852. Family admission worked out to about $2 each. We enjoyed looking at the 1902 Holsman car displayed in the lobby; it was the first automobile on the entire island. There are some impressive baskets on display in the Native American exhibit on the bottom floor of the museum.

In the late afternoon we stopped at the PBY Naval Air Museum in the town of Oak Harbor. On one side of the highway is a retired PBY seaplane, which saw service in the Aleutian Islands during World War II. The museum’s indoor displays are in a building across the road. We found them to be well labeled and very informative. We watched an excellent video which featured local residents reminiscing about life in Oak Harbor before the naval air station and describing the transformation that occurred with the opening of the air base and the all consuming war effort of WWII. Adult admission to the museum is ordinarily $7, but we had picked up discount coupons at the Island County Museum so paid $6 each.

Whidbey_PBY

We stayed overnight at the Best Western in Oak Harbor. The next morning we attended Mass at the local parish then drove to the north end of the island to see the scenic Deception Pass, so called because the first European explorers in the area thought that waterway was the mouth of a river. (Instead it is part of the Salish Sea, the network of inlets and waterways between the Olympic Peninsula and the mainland of Washington State.) We drove south from there, mainly retracing our steps but adding a couple of scenic detours. We enjoyed an excellent locally-sourced lunch at the Oystercatcher in historic Coupeville, stopped to see some mid 19th century blockhouses, and then finished our excursion with a tasting at the Spoiled Dog Winery. Late in the afternoon we took the ferry and headed back to the girls’ home.

Southwest Museum

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Southwest Museum
Mount Washington
January 16, 2016

Margaret’s passion is Native American culture, and one of her favorite museums back when she used to live in Los Angeles years ago was the Southwest Museum. The location is farther from Margaret’s home than we usually go, but she had mentioned it several times and clearly wanted to see it, so we made it our destination for this visit.

SW_tower&trees

Over the course of the 20th century, the Southwest accumulated the second largest collection of Native American artifacts in the country. Established in 1907, it moved to its beautiful hilltop site above Highland Park in 1914. Unfortunately, the museum fell on hard times. It lacked the financial resources to maintain its collection and aging building alone and merged with the Autry Museum in 2003. There has been controversy over that merger, but we reserve judgment. The critics probably do not understand, or do not care about, the expense involved in preserving the collection and restoring the building. One wonders, how many of them contribute financially to either effort?

The National Trust for Historic Preservation has set up a website Treasure It Together, devoted to the Southwest Museum building and site, to disseminate information and foster discussion about how best to preserve and restore the historic site.

For a time, the Mt. Washington site was completely closed to the public. One gallery is now open on weekends. During the week, Autry employees work in the closed gallery spaces, doing conservation work on the collection. One important component of the conservation work is that pieces are being photographed and digital photos added to a searchable online database.

We guessed–correctly it turned out–that there would be no cafe on site and brought sandwiches and other picnic supplies. We parked in one of the two handicapped spots in the museum’s front courtyard and ate our lunch at one of several tables under the arcade.

SW_lunch

The current exhibition is Four Centuries of Pueblo Pottery. There were some truly impressive pieces on display, from the early 17th century to the present. The explanations which accompany the pottery items set the historical context well. The technical details are explained, as are the differences between the different pueblo cultures.

Southwest_gallery

Admission is free, with donations encouraged. The top level is wheelchair accessible. There is a small bottom area open to the public as well, but the interior connection is only by staircase. We each took a quick look at the lower level but did not try to get Margaret down there, since there is not yet a gallery reopened downstairs. The lower level could be accessed by wheelchair patrons, but one would have to enter from the street below the museum, go up a ramp, through the pedestrian tunnel, then up an elevator. That lower level currently just contains a timeline of the museum’s history, a few display cases showing archaeological techniques, the restrooms, and a video terminal on which one can view digital photos of the museum’s basket collection.

There is a Metro stop right across the street from the pedestrian entrance to the museum. Visitors who come by car drive up a narrow winding driveway. There is a general parking lot, which we did not explore, and two handicapped spaces right in front of the museum.

Our only gripe is that there is too little information about the museum online. There is one page on the Autry’s website devoted to the Mt. Washington campus, but it fails to give practical visitor information such as whether there is a cafe on site (there is not), what parking is available, and whether the building is wheelchair accessible (mostly it is, as noted above). Meredith emailed the Autry asking for more information but did not receive a reply.

After the museum visit we met Meredith’s sister Kathleen for coffee. She showed us and Margaret photos from her recent trip.

San Fernando Mission

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Mission San Fernando Rey de España
Mission Hills
December 26, 2015

We took Margaret to see the San Fernando Mission, founded in 1797, one of 21 missions established by the Franciscans in Alta California, i.e. what is now the state of California. (Missions were established in Baja California as well.)

SanFernando_grand_sala

This visit brought back memories of a week long road trip we took in 1999 with Margaret and our three girls, up to Sonoma and back down to San Diego, visiting all of the missions. Here are our three daughters back then, outside the San Fernando Mission:

Girls At Mission San Fernando 1999

As anyone who grew up in California knows, the missions were an integral part of the Spanish colonial era and of the history of early California generally. Nowadays the Southern California missions are generally well restored; some of the Northern California missions have been mostly obliterated. After the Mexican government secularized the missions, confiscating them from the Church, the mission buildings fell into disrepair. The adobe walls of some of them dissolved after opportunistic neighbors took the roof tiles for other projects. The San Fernando buildings have been well restored.

The mission church at San Fernando is an active place of worship, and there was a ceremony going on the day we visited — a quinceañera we think — so we were unable to see the church this time. We were able to see the museum rooms and gardens though.

Several of the buildings have rooms with historical displays in them. There are some informative displays, such as rooms arranged with period appropriate furnishings, and also some workshop rooms showing blacksmith and carpenter tools, a loom, and a saddle making display. Many religious artifacts are displayed, including both liturgical items like vestments and art such as statues, and there is an entire “Madonna Room” given over to iconography of the Virgin Mary. Some of the museum display cases have items which, although interesting in themselves, are not particularly appropriate to the mission. In the first couple of museum rooms, for instance, there were a number of Native American baskets on display. Those baskets included some very nice pieces, but few of them were from the local area.

Bob Hope is buried on the grounds. As he was dying, his wife Dolores asked him where he wanted to be buried, and he is reported to have said “Surprise me.” In any event, this is the resting place she chose for him. The thing Margaret most enjoyed about our visit was a pair of display cases featuring Bob Hope memorabilia. (These are tucked, for some inexplicable reason, in the workshop area.) Margaret even stood up, to see the photo of Bob with Dolores on the top shelf.

Admission to the mission grounds is $5 for adults, $4 for seniors. Most of the grounds and rooms are on a level, so wheelchair access is pretty good.

Margaret asked after her grandchildren as soon as we picked her up, and we brought her up to speed on family news over lunch.

Fowler Museum — Native American Art

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Fowler Museum
UCLA Westwood
October 10, 2015

Fowler_group

We took Margaret to the Fowler Museum to see two new Native American exhibitions. We first saw Zuni World, a series of paintings displayed around the atrium. They were created by contemporary Zuni artists and feature traditional places, symbols, and subjects. We enjoyed the balance and colors and the fine details. Mesa Verde and Chaco Canyon were each depicted in several paintings, reminding Margaret of visits she had made to those sites. This exhibit will run through January 10, 2016.

We then went into a gallery featuring textile art of the Southwest, mostly made in the period 1860-1880. This exhibit, Treasured Textiles from the American Southwest: the Durango Collection, was written up by Jessica Galt in the Los Angeles Times the same day we went, although we did not see the article until after we had been there. The majority of those pieces were blankets woven by Hopis and Navajos. Different designs were represented, and the display showed the evolution of designs over time. We were impressed with how vibrant the red pieces still are. The final pieces in the gallery were woven by Hispanic artists. Interspersed with the textile pieces were some historic photographs providing context, and there were good explanatory notes with each piece. This exhibit likewise runs through January 10, 2016.

Our final stop at the Fowler was a room displaying ancient Colombian pieces from the Magdalena Valley, both ceramic and metal, from about 900 to 1600 A.D. These pieces will be on exhibit through January 3, 2016. We did not spend much time in the permanent collection on this visit. It contains some excellent anthropological pieces from around the world, and also the splendid Francis E. Fowler, Jr. silver collection.

We had lunch before the museum visit, at an Italian café in the Anderson business school, Il Tramezzino, just a few buildings over from the museum. We each had a panini and enjoyed our meal. There were very few people in the restaurant when we arrived at noon, but as we finished a number of students crowded in. The restaurant is up a level from the museum, so we had to go into a classroom building and take an elevator up. We blundered into what turned out to be a service elevator letting us out in a kitchen, but the staff were quite nice and showed us the way through the kitchen out onto the Anderson plaza. After we ate we found the passenger elevator for our return trip, and a fellow passenger made sure we were oriented in the right direction to head back toward the Fowler.

Admission to the Fowler is free. There is a donation box at the entrance for those who wish to contribute. We parked in a nearby underground garage and paid $5 to park. There was ample parking for our Saturday visit; we do not know what the weekday parking situation may be.

Fowler_Zuni_video

Margaret was fairly talkative and alert at the beginning of our outing, and chatted with us about family over lunch. We reminded her that her oldest grandchild had a birthday coming up the following week, and helped her pick out a card in the museum gift shop. Margaret grew tired as the afternoon went on and was struggling a bit for words at the museum, but she did enjoy the videos there. The Zuni exhibit included a video explaining the origin of the art project, and showing several of the artists at work. She also watched two short videos in the permanent collection, one about potlatch ceremonies in British Columbia and the other about Hopi culture in the Southwest. She perked up a bit and joined in the conversation when we met up with Meredith’s sister Kathleen for coffee at the end of the day. The transfers from wheelchair to car and back remain hard for her, and we are now planning our outings so we can eat at or near whatever museum we visit, and not have to make an additional transfer. For smaller places that do not have a café on site, we may bring a picnic or get sandwiches to go.

Strathearn Historical Park

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Strathearn Historical Park
Simi Valley
January 17, 2015

When we were brainstorming something new to do on this visit, we read through the Passport 2 History booklet. This booklet, and the related website, list over 60 historic sites throughout Southern California, from San Luis Obispo County down to San Diego County. We knew from going to the Reagan library that Simi Valley is not a bad drive from Margaret’s home, so we picked this site.

StrathearnPark

There are about a dozen historic buildings located in the park, which covers a little over 6 acres. It is named for the Strathearn family, who bought the land in the late 19th century. The park is open on weekdays from 9 AM to 3 PM, but docent led tours of the interiors of the buildings are only available five days week in the afternoon, including Saturday and Sunday.

We timed our arrival for 1 PM on the dot, just as the park opened, and began our tour in the visitor center. There is a nice collection of artifacts on display in the visitor center, in glass cases grouped to show the Chumash era, the Spanish era, American frontier era, and the early 20th century. Meredith was rather disconcerted to see a collection of nondescript telephone books and a black standard rotary dial telephone on display. When the everyday objects of our childhood become museum pieces, we really start to feel old!

We sat with a couple other visitors and watched a video in the visitor center which gave an overview of history in the valley over those same periods. The substantive content of the video was quite informative. The production values left a bit to be desired but were adequate for the purpose.

A pair of Cub Scouts and their parents and siblings joined us, and we all headed out on a docent led tour of the various buildings and outdoor exhibits in the park. We particularly liked the original St. Rose of Lima church, the Simi Adobe / Strathearn House, and the antique car and carriages.

The church, like most of the buildings in the park, was relocated from its original location, in this case at Third and Pacific in the old town area of Simi. It was first built by Presbyterians in 1902 but was soon sold to the Catholic diocese and converted to a Catholic parish church, and it was used as such until 1964.

The Simi Adobe, which was later incorporated into the Strathearn House, is the oldest building in the park, and that combined building is one of the few which was originally located on the site. The adobe portion of the building was the headquarters for the Spanish era rancho and dates from about 1810. It is reduced in size from what it was originally; it is now just one story, and the room at the back end of it was destroyed in a fire and not rebuilt. In 1892 the Strathearns added a two-story Victorian frame house to the front of the adobe building. They used the adobe portion as their kitchen and dining room. The entire building is well outfitted with furniture and furnishings from the era. A small part of the floor and wall in one room of the adobe section have been removed and encased in glass, so that one can see the adobe wall and wood floor structure.

Bob went inside the Colony House, which dates from 1888 and was relocated from Second Street and Ashland. That particular building is not wheelchair accessible. It is a prefab building from the abortive “Simiopolis” development in the late 19th century. It was used for many years as a church and minister’s home. Although quite attractive in outward appearance, it is uninsulated and cannot have been very comfortable to live in.

One of the barn buildings contains several well preserved antique carriages, and we all enjoyed seeing a 1926 Model T kept in one of the garage buildings that date from the Strathearn family’s time. Margaret chuckled and called it a “bug eyed monster.”

Strathearn_ModelT

Other buildings we saw included the local library, built in 1930 and used until 1962; a barbershop; several barns and farm outbuildings with extensive period equipment displayed; and a former garage restyled as a general store and used as the park’s gift shop.

Admission is $3 for adults. Much but not all of the park is wheelchair accessible. Several buildings cannot be entered by wheelchair, although we could see into the library fairly well from outside. With help we lifted Margaret’s wheelchair up one step into the adobe. She could not go up to the Victorian era part of Strathearn House, however, nor could she enter the Colony House.

The park does not have a café or snack bar. We had stopped for lunch on our way to the park in any event, at a sandwich shop nearby that we found on Yelp, Old School Sandwiches & Salads. We all enjoyed our various sandwiches – roast beef, tuna, and chicken – and the two of us were impressed with the chili we had with our half sandwich combos. It seemed nicely made from scratch, with several types of beans and a nice blend of meat, vegetables, and mild spices. They use fresh bakery bread for their sandwiches and pride themselves on fresh and mostly local ingredients. We recommend them to anyone in the area.

Autry National Center

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Autry National Center
Griffith Park
September 7, 2014

We met up with two of our daughters and their significant others (husband of one, boyfriend of the other) at the Autry Museum of the American West. The museum is located in Griffith Park, across from the zoo. The Autry participates in Bank of America’s Museums on Us program, so on the first full weekend of each month admission is free to B of A debit or credit card holders.

Autry 3 generations

Together with Margaret, our group explored the two special exhibitions currently offered. The first exhibit we toured was Floral Journey: Native North American Beadwork. That exhibition runs through April 26, 2015. The exhibition features over 250 Native American beadwork pieces with floral designs. There are many stunning pieces, and tribal cultures from all over North America are represented. Most of the pieces are historical pieces from the 19th or early 20th century. Sprinkled throughout the exhibition are some modern pieces, also by Native American artists, inspired by their cultural history. The exhibition combines two of Margaret’s passions, handwork and Native American culture, and she enjoyed it very much.

We also toured the Route 66: the Road and the Romance exhibition, which will remain open through January 4, 2015. The exhibition was both large and well thought out, with a variety of artifacts on display, ranging from historic road signs to a 1960 Chevrolet Corvette to drawings from the movie Cars. The first few display cases set the background for the exhibition, explaining how difficult travel was and how few well-maintained through roads there were, prior to the time Route 66 and other US highways were built, starting in the 1920’s.

Autry MB 66

Memorabilia from the construction and dedication of the highway are on display. There are extensive items showing its role as a migration route for Dustbowl immigrants in the Depression, including a page from Steinbeck’s manuscript for The Grapes of Wrath, a first edition of the book, and a related photo essay from Life magazine. At several points in the exhibit there are some short videos which can be heard through headphones. Margaret and Meredith listened to several vignettes, including the reminisces of a Japanese American who grew up in Gallup, New Mexico and one of the co-creators of the Cars movie who took a road trip along the route to get inspiration for the movie.

The group ate in the museum café. They serve excellent food, semi-cafeteria style. One orders at the counter and gets drinks there, then sits and the food is brought out to the table by staff when it is ready. The menu is mainly sandwiches, burgers, soups, and salads. Margaret and Meredith each had portobello mushroom burgers. Bob and our middle daughter opted for half sandwich / cup of chili combos. The younger men had pulled pork sandwiches, and our youngest daughter had a fry bread chicken taco. The café serves soft drinks, beer, and wine. It usually offers vintage soft drinks in addition to modern ones, like sarsaparilla and cream soda, but they were out of those the day we visited. The staff is very knowledgeable and helpful. We have always enjoyed eating there. The prices were quite reasonable for museum fare; the bill for all seven of us came to just under $100.

There are rotating family activities. Today they were set up to have families do beadwork, playing on the theme of the Floral Journey exhibit. The permanent collection is extensive and impressive. We did not stay to look at it today, although we have seen it in the past. Bob, Meredith, and Margaret left early to meet up with Kathleen for coffee. Bob first took the young people down to show them the historic gun collection, which is quite extensive. The four of them stayed on to look at the rest of the permanent collection after we left. The museum is an interesting blend of the historic West and the Hollywood West. The permanent collection has many artifacts from the American West, including not only items from the majority culture but also items representative of minorities, women, and Native Americans. There is also an extensive area devoted to memorabilia such as props and posters from Western movies, from the silent era through spaghetti Westerns and everything in between, including of course Gene Autry films.

Wheelchair access is excellent. Parking is free.

There are a number of special events at the Autry, and it is a good idea to check their calendar to see what may be happening on a given day. On past visits we have seen a farmers market, and a Western family day celebration.

We did not take advantage of the docents this time, but in the past we have joined docent led tours through the special exhibitions and been very pleased with the quality of those presentations.

The Autry merged with, or perhaps acquired, the Southwest Museum back in 2003. The Southwest Museum has a very extensive collection of Native American artifacts, far more than it can exhibit. Having the large museum space the Autry offers in Griffith Park allows for showing more of those pieces to the public. Meredith and Margaret visited the Southwest Museum back in the 1970’s or early 80’s, before the building was damaged in the Northridge earthquake, and long before wheelchair access was a concern for us. There has been some controversy about the Autry’s control of the Southwest Museum and its collection. We do not know enough about the background of the controversy to have an opinion, but we do wonder if the critics have an appreciation of just how difficult and expensive it is, both to restore and maintain historic structures like the old Southwest adobe, and to maintain delicate collections like those originally housed in that facility.