Tag Archives: LACMA

Pacific Standard Memories

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San Diego Museum of Art and Mingei International Museum
Balboa Park
January-February 2018
LACMA
Hancock Park
March 18, 2018

Over the winter we attended several exhibitions, now gone by, in the Pacific Standard Time: LA/LA series. Life got away from us, so we did not write them up here at the time. We did enjoy getting in touch with Latin American art spanning many centuries and revisiting some museums we had not been to in a while.

The first Pacific Standard Time series celebrated mid-twentieth century Southern California arts; it ran from October 2011 to April 2012. We took Meredith’s mother Margaret to six or more exhibitions in that first series. It was fun discovering small venues and offbeat subjects. Margaret was very taken by a vintage Studebaker Avanti on display at LACMA (the Los Angeles County Museum of Art) and joked about driving off in it while the guard was looking the other way. The thought of Margaret leaping out of her wheelchair and hotwiring a collector car still brings a smile. That first series of Pacific Standard Time visits took place before we started our blog.

The newer LA/LA series explored artistic connections between Latin America and Southern California (mainly Los Angeles) and ran from September 2017 to early 2018. Both PST series were organized by the Getty Museum, which brought together dozens of So Cal museums, each with their own special focus exhibit.

Earlier this year, we saw: (1) Modern Masters from Latin America: The Pérez Simón Collection at the San Diego Museum of Art; (2) Art of the Americas: Mesoamerican, Pre-Columbian Art from Mingei’s Permanent Collection at the Mingei Museum; and (3) Painted in Mexico, 1700–1790: Pinxit Mexici at LACMA.

In January, we saw the Pérez Simón Collection show at the San Diego Museum of Art in Balboa Park. It brought together art (mostly paintings) from eight different Latin American countries, spanning a little over a century, from the late 1800’s to now. We particularly liked the landscape scenes and portrayals of people in their daily lives. The abstract pieces interested us less. After we finished seeing the Perez Simon collection, we stopped in to see a visiting Monet painting, which was on loan from the Denver art museum and has since been returned.

The next month we headed to the Mingei Museum, also in Balboa Park. We had not been there in years, and it was fun to get reacquainted. The term “mingei” means “everyone’s art,” and this museum features objects from around the world made for everyday use. Although some are very beautiful, none were made purely to be decorative. Their Pacific Standard Time exhibition displayed an extensive collection of objects, particularly ceramics, from a variety of pre-Columbian cultures in Mexico, Central America, and South America. We particularly liked seeing the Mayan textile fragments – so fragile they were shown under dim lighting.

While in the Mingei we also strolled through a display of Native American weaving from the American Southwest. There were some strikingly handsome pieces on display, and the curator’s explanatory signs were very thorough. Two thumbs up on the Mingei visit; we will definitely come back.

Early this year we purchased a Balboa Park Explorer one year family pass, and we used the pass for both the SDMA and Mingei visit.

In March, we met up with Meredith’s sister Kathleen to see Painted in Mexico, 1700-1790: Pinxit Mexici at LACMA. This was an exhibition of Mexican painting during the 18th century. Over 120 works were on display, many of which had never been shown publicly before, and some were specially restored for this exhibition. Religious paintings predominated, but there were secular themed paintings as well. The works displayed were high quality, sophisticated pieces; this New World art can definitely take its place alongside the best of the Old World. We saw the exhibition on its final weekend in Los Angeles; it went on the Metropolitan Museum of Art in New York, where it will be on display through July 22.

We looked through several other LACMA areas. Outside we were amused by a sculpture that looks like a balloon animal. A little hard to take seriously, but hey, we took a picture, didn’t we?

LACMA-Delacroix

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Los Angeles County Museum of Art (LACMA)
Wilshire Boulevard, Miracle Mile
February 7, 2015

This visit fell on the first full weekend of February, so we took advantage of LACMA’s participation in the Bank of America Museums on Us program, and strolled around the art museum campus today. Last month we had noticed an article in the Los Angeles Times about an Eugene Delacroix painting on exhibit for a short time, Greece on the Ruins of Missolonghi. The painting is on loan from the Museum of Fine Arts in Bordeaux, France. It is an allegorical painting made in 1826, featuring a feminine figure symbolizing Greece mourning over those killed by the Turks during the unsuccessful defense of the port city of Missolonghi. The exhibition did a good job of explaining the symbolism in the painting itself and also showing other contemporary pieces to give context to the work.

LACMA Colombia

We also went through a special exhibit, A Journey through the Cauca Valley, featuring prehistoric Colombian ceramic pieces in the Art of the Americas building, and we strolled through part of the permanent collection in that building as well. Although the Delacroix exhibit was easy to find, the Colombian and one other small special exhibition (Louise Nevelson) that we looked for were not well marked, nor did the guards we spoke to know where they were, which seemed a bit odd. Even a docent wearing a red apron with large lettering that said “ASK ME” could not tell us where the Nevelson exhibition was. Nevertheless, it was a pleasant outing. Our hunt for the special exhibitions let us through various galleries in the permanent collection we might not have browsed otherwise, and we enjoyed many of the pieces we looked at along the way.

The museum is located at the west end of Hancock Park; the Page Museum, better known as the La Brea tar pits museum, is at the east end of the park. We parked at the east end of Hancock Park, in the lot that is actually associated with the Page Museum. That lot cost us $10, the weekend rate. There is also parking in a garage at the west end of the museum, which costs $12. We strolled through part of the park, stopping to listen to a busker play first a piccolo and then a banjo.

Admission to LACMA is $15 for adults, $10 for seniors. Wheelchair accessibility throughout the museum is good, although we had to make frequent use of elevators, because different parts of the campus are connected on different levels, and there is a fair amount of going up and down to get from one building to another.

We had lunch at Johnnie’s New York Pizzeria, just a short walk east of the museum on Wilshire. That is our go-to lunch destination when we visit a museum on Wilshire’s Museum Row. We enjoyed Johnnie’s, as always, and the staff recognized us. Margaret and Bob had their usual dishes there, turkey panini for her and chicken panini for him. Meredith tried and liked the Chicken Puttanesca.

We had a nice visit with Margaret, apart from a little upset at the beginning. Bob’s aunt Min writes Margaret frequently and encloses photos with her letters. When we visit, Margaret always likes to share the latest letter she has received from Min. She had some trouble finding it this time, and snapped at her caregiver. He is very patient and hunted the letter out without taking offense, and we went on our way. After that, Margaret was calm and fairly alert and verbal. She asked after our daughters and commented on a news article Meredith had sent her a couple of weeks ago, about the possible restoration of the Southwest Museum. Margaret also mentioned her recent visit with Jennifer, the independent geriatric care manager we have check in on Margaret monthly, and she proudly told us that she had beaten Jennifer at Scrabble. We suspect Jennifer may have let her win, but we had heard independently that Margaret had done quite well with word formation. All in all it was good to see Margaret functioning well on this visit.

LACMA

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Los Angeles County Museum of Art
October 12, 2014
“Miracle Mile” Wilshire Boulevard

We took Margaret to the Los Angeles County Museum of Art (LACMA) to see a special exhibition, “Haunted Screens: German Cinema in the 1920s.” The exhibition featured over 150 drawings and set photos from German movies of the 1920s, both silent and early sound era. There were also several screens showing clips from the movies featured in the exhibit, and a number of contemporary movie posters were displayed on the wall. We first heard about the exhibition through an article we saw in the Los Angeles Times. The set design drawings were quite evocative. Meredith was struck by the skill and artistry of some of the watercolors. Bob was amused by the directions written on some of them including the word “achtung.”

LACMA haunted-screens

We next went to see another special exhibition, “Big Quilts in Small Sizes: Children’s Historical Bedcovers.” The museum has drawn on some of its reserve collection and displayed a dozen quilts, mostly from the 19th century and a few from the 20th century, all handmade and small in size. This was the exhibit Margaret liked best. She has been quite adept at handwork of all sorts and particularly likes quilting. She admired the careful work on several of the pieces displayed. After seeing the quilts we strolled through some of the permanent collection in the Art of the America’s building, stopping to admire a gigantic mirror that once adorned a mansion in Menlo Park, then served as a Hollywood prop for decades, before finally joining the museum collection in the 1990s. On our way out of the museum complex we went through the Japanese art building and stopped to browse through the special exhibition of modern kimonos. We particularly liked the ones that illustrated abstract flowing water designs, especially one that had dragonflies on it.

The museum complex is quite large and encompasses nine different buildings. It has an impressive collection spanning many countries and eras. One could certainly spend a full day there and still not see everything. The museum is located at the west end of Hancock Park; the Page Museum, better known as the La Brea tar pits museum, is at the east end of the park. The park is a fun place to stroll, and features the novel sight of various tar pits large and small interspersed throughout the lawn area that makes up the park. The aroma of liquid tar may not be to everyone’s taste, however!

We parked at the east end of Hancock Park, in the lot that is actually associated with the Page Museum. That lot cost $9 – the weekend rate – and put us closer to our favorite area restaurant, Johnnie’s New York Pizzeria. (There is also parking in a garage at the west end of the museum, which costs a little more.)

We met up with our youngest daughter and her boyfriend for lunch at Johnnie’s before going over to the museum. Margaret surprised us by choosing something other than her regular dish, turkey panini. This time she had what Johnny’s calls its Italian quesadilla – thin pizza dough with melted mozzarella and pesto sauce. It was quite good. The young people had other plans so did not join us at LACMA. Discussion over lunch of our visit to the Torrey Pines reserve prompted Margaret to recall a very large white pine which grew in the yard at the Dresden Avenue home where she grew up, in Gardiner, Maine.

Admission to LACMA is $15 for adults, $10 for seniors. Bank of America customers who visit on the first full weekend of the month can get in free by showing a B of A debit or credit card. Wheelchair accessibility is good, although one sometimes has to hunt for the ramps and interconnecting bridges between buildings.