LACMA-Delacroix

By | |
Comments Off on LACMA-Delacroix

Los Angeles County Museum of Art (LACMA)
Wilshire Boulevard, Miracle Mile
February 7, 2015

This visit fell on the first full weekend of February, so we took advantage of LACMA’s participation in the Bank of America Museums on Us program, and strolled around the art museum campus today. Last month we had noticed an article in the Los Angeles Times about an Eugene Delacroix painting on exhibit for a short time, Greece on the Ruins of Missolonghi. The painting is on loan from the Museum of Fine Arts in Bordeaux, France. It is an allegorical painting made in 1826, featuring a feminine figure symbolizing Greece mourning over those killed by the Turks during the unsuccessful defense of the port city of Missolonghi. The exhibition did a good job of explaining the symbolism in the painting itself and also showing other contemporary pieces to give context to the work.

LACMA Colombia

We also went through a special exhibit, A Journey through the Cauca Valley, featuring prehistoric Colombian ceramic pieces in the Art of the Americas building, and we strolled through part of the permanent collection in that building as well. Although the Delacroix exhibit was easy to find, the Colombian and one other small special exhibition (Louise Nevelson) that we looked for were not well marked, nor did the guards we spoke to know where they were, which seemed a bit odd. Even a docent wearing a red apron with large lettering that said “ASK ME” could not tell us where the Nevelson exhibition was. Nevertheless, it was a pleasant outing. Our hunt for the special exhibitions let us through various galleries in the permanent collection we might not have browsed otherwise, and we enjoyed many of the pieces we looked at along the way.

The museum is located at the west end of Hancock Park; the Page Museum, better known as the La Brea tar pits museum, is at the east end of the park. We parked at the east end of Hancock Park, in the lot that is actually associated with the Page Museum. That lot cost us $10, the weekend rate. There is also parking in a garage at the west end of the museum, which costs $12. We strolled through part of the park, stopping to listen to a busker play first a piccolo and then a banjo.

Admission to LACMA is $15 for adults, $10 for seniors. Wheelchair accessibility throughout the museum is good, although we had to make frequent use of elevators, because different parts of the campus are connected on different levels, and there is a fair amount of going up and down to get from one building to another.

We had lunch at Johnnie’s New York Pizzeria, just a short walk east of the museum on Wilshire. That is our go-to lunch destination when we visit a museum on Wilshire’s Museum Row. We enjoyed Johnnie’s, as always, and the staff recognized us. Margaret and Bob had their usual dishes there, turkey panini for her and chicken panini for him. Meredith tried and liked the Chicken Puttanesca.

We had a nice visit with Margaret, apart from a little upset at the beginning. Bob’s aunt Min writes Margaret frequently and encloses photos with her letters. When we visit, Margaret always likes to share the latest letter she has received from Min. She had some trouble finding it this time, and snapped at her caregiver. He is very patient and hunted the letter out without taking offense, and we went on our way. After that, Margaret was calm and fairly alert and verbal. She asked after our daughters and commented on a news article Meredith had sent her a couple of weeks ago, about the possible restoration of the Southwest Museum. Margaret also mentioned her recent visit with Jennifer, the independent geriatric care manager we have check in on Margaret monthly, and she proudly told us that she had beaten Jennifer at Scrabble. We suspect Jennifer may have let her win, but we had heard independently that Margaret had done quite well with word formation. All in all it was good to see Margaret functioning well on this visit.

Huntington Library

By | |
Comments Off on Huntington Library

Huntington Library, Art Collections, and Botanical Gardens
San Marino
February 1, 2015

The two of us made this visit without Margaret. Pasadena and the adjacent area boast several excellent museums, but they are too far from the San Fernando Valley to make it easy to bring her here.

We were in Pasadena for the weekend volunteering as extras on the set of Phd Movie 2, the second movie based on Jorge Cham’s webcomic, Phd Comics. The first movie can be streamed here. We were in several scenes filmed Saturday, on the Cal Tech campus, but they did not need us for Sunday, so we headed to the Huntington right after church.

Huntington_entrance

The Huntington is an extensive facility and even though we were there all day – weekend hours are 10:30 AM to 4:30 PM – we could not see it all. We decided to focus mainly on art, skipping the library building and seeing only part of the gardens. We first toured the European art collection, which is housed in the building which used to be the Huntington family mansion. It has a particularly strong English collection, including such artists as Gainsborough, Constable, Turner, and Reynolds. The museum has a particularly well known Gainsborough piece, The Blue Boy, and across the gallery is a portrait by Lawrence of a young girl known as Pinkie. The bulk of the European collection dates from the 18th and 19th centuries.

We next went on to the American art building. It holds pieces representing all periods from colonial through modern, and it was interesting to look at the pieces that were contemporary with the European art we had seen in the prior building. In the special exhibit gallery in that building was Samuel F. B. Morse’s painting Gallery of the Louvre dating from 1831-1833. Best known as the inventor of the telegraph, Morse began his career as a painter. In this colossal work he shows a gallery within the Louvre, populated with nearly 40 selected paintings of his choosing, including a variety of both sacred and secular works, such as the Mona Lisa, Caravaggio’s Fortune Teller, and a Raphael Madonna and Child.

In both buildings the decorative arts were also represented, and there were contemporary furniture pieces displayed with the paintings and sculpture, particularly in the American collection. We particularly enjoyed a room in the American art building given over to Arts and Crafts pieces and the work of Greene & Greene.

We went on from the American art building to see a special exhibition in a third building, the Boone Gallery, which was displaying photographs by Bruce Davidson and Paul Caponigro. The exhibition displayed photographs they each took during visits to Britain and Ireland in the 1960s and later. The exhibition was quite extensive and really gave a sense of photography as an art form, with compelling photos both of locations and people.

Huntington_M

As we walked around the gardens from one building to another and briefly over to the Chinese garden at the far end of the property, we saw many families with small children. We had not seen small children in the art galleries (wise parents), but we can understand that the gardens would be a wonderful place to stroll with family on a nice day. We saw a number of beautiful flowers in bloom. The rose garden, of course, was dormant given the time of year, but must be spectacular when in bloom. We did go into the conservatory building and stroll through the rain forest and bog rooms, looking at various orchids and also carnivorous plants.

Although we did not have Margaret with us, we did look around to assess wheelchair accessibility, which generally seems quite good. The grounds are so extensive that it might be a challenge for a manual wheelchair user, just because of the distances, but the grounds are mostly flat or gently sloping. We were surprised to see that the elevator in the European art building was out of service, and if we had brought Margaret we would not have been able to take her up to the second floor. A guard told us that was a rare occurrence, however.

We picked up sandwiches in the café and ate at tables outdoors. We each chose smoked salmon with cream cheese on a bagel and had some fresh fruit on the side. The food was pricey but of good quality.

Admission is $23 for adults. There is no additional charge for parking.

Strathearn Historical Park

By | |
Comments Off on Strathearn Historical Park

Strathearn Historical Park
Simi Valley
January 17, 2015

When we were brainstorming something new to do on this visit, we read through the Passport 2 History booklet. This booklet, and the related website, list over 60 historic sites throughout Southern California, from San Luis Obispo County down to San Diego County. We knew from going to the Reagan library that Simi Valley is not a bad drive from Margaret’s home, so we picked this site.

StrathearnPark

There are about a dozen historic buildings located in the park, which covers a little over 6 acres. It is named for the Strathearn family, who bought the land in the late 19th century. The park is open on weekdays from 9 AM to 3 PM, but docent led tours of the interiors of the buildings are only available five days week in the afternoon, including Saturday and Sunday.

We timed our arrival for 1 PM on the dot, just as the park opened, and began our tour in the visitor center. There is a nice collection of artifacts on display in the visitor center, in glass cases grouped to show the Chumash era, the Spanish era, American frontier era, and the early 20th century. Meredith was rather disconcerted to see a collection of nondescript telephone books and a black standard rotary dial telephone on display. When the everyday objects of our childhood become museum pieces, we really start to feel old!

We sat with a couple other visitors and watched a video in the visitor center which gave an overview of history in the valley over those same periods. The substantive content of the video was quite informative. The production values left a bit to be desired but were adequate for the purpose.

A pair of Cub Scouts and their parents and siblings joined us, and we all headed out on a docent led tour of the various buildings and outdoor exhibits in the park. We particularly liked the original St. Rose of Lima church, the Simi Adobe / Strathearn House, and the antique car and carriages.

The church, like most of the buildings in the park, was relocated from its original location, in this case at Third and Pacific in the old town area of Simi. It was first built by Presbyterians in 1902 but was soon sold to the Catholic diocese and converted to a Catholic parish church, and it was used as such until 1964.

The Simi Adobe, which was later incorporated into the Strathearn House, is the oldest building in the park, and that combined building is one of the few which was originally located on the site. The adobe portion of the building was the headquarters for the Spanish era rancho and dates from about 1810. It is reduced in size from what it was originally; it is now just one story, and the room at the back end of it was destroyed in a fire and not rebuilt. In 1892 the Strathearns added a two-story Victorian frame house to the front of the adobe building. They used the adobe portion as their kitchen and dining room. The entire building is well outfitted with furniture and furnishings from the era. A small part of the floor and wall in one room of the adobe section have been removed and encased in glass, so that one can see the adobe wall and wood floor structure.

Bob went inside the Colony House, which dates from 1888 and was relocated from Second Street and Ashland. That particular building is not wheelchair accessible. It is a prefab building from the abortive “Simiopolis” development in the late 19th century. It was used for many years as a church and minister’s home. Although quite attractive in outward appearance, it is uninsulated and cannot have been very comfortable to live in.

One of the barn buildings contains several well preserved antique carriages, and we all enjoyed seeing a 1926 Model T kept in one of the garage buildings that date from the Strathearn family’s time. Margaret chuckled and called it a “bug eyed monster.”

Strathearn_ModelT

Other buildings we saw included the local library, built in 1930 and used until 1962; a barbershop; several barns and farm outbuildings with extensive period equipment displayed; and a former garage restyled as a general store and used as the park’s gift shop.

Admission is $3 for adults. Much but not all of the park is wheelchair accessible. Several buildings cannot be entered by wheelchair, although we could see into the library fairly well from outside. With help we lifted Margaret’s wheelchair up one step into the adobe. She could not go up to the Victorian era part of Strathearn House, however, nor could she enter the Colony House.

The park does not have a café or snack bar. We had stopped for lunch on our way to the park in any event, at a sandwich shop nearby that we found on Yelp, Old School Sandwiches & Salads. We all enjoyed our various sandwiches – roast beef, tuna, and chicken – and the two of us were impressed with the chili we had with our half sandwich combos. It seemed nicely made from scratch, with several types of beans and a nice blend of meat, vegetables, and mild spices. They use fresh bakery bread for their sandwiches and pride themselves on fresh and mostly local ingredients. We recommend them to anyone in the area.

Museum of the San Fernando Valley

By | |
Comments Off on Museum of the San Fernando Valley

Museum of the San Fernando Valley
Northridge
January 3, 2015

A brand new museum in the San Fernando Valley, near where Margaret lives? We are so there! We read about this museum in the Los Angeles Times, which ran an article when the museum opened in December.

SFValley2

The museum is in an office building, at 18860 Nordhoff Street in Northridge, in a relatively small suite on the second floor. Although it is not large, it is well laid out, and the exhibits are well labeled. The docents were friendly and very well-informed. There were three volunteers working the museum, basically one per room, and they were all enthusiastic. We think this museum has the highest docent per square foot ratio we have seen.

The World War II room has a corner devoted to the remarkable ace pilot Clyde East, including a piece from the fuselage of his fighter plane “Lil Margaret.” A QR code on the wall gave us a link to an extensive video about him. Clyde retired to the Valley after a long and distinguished career in the military and just passed away within the last year. Museum volunteer Art Sherman was on duty and showed us around that room, explaining all the items on display, including items he had donated to the museum from his time in the Army Air Force, as a bombardier and intelligence officer. Among various items in the room are interesting photos of the camouflaging on the Lockheed facility, several aerial maps, and photos of the “Wings over Wendy’s” veterans group which meets in West Hills.

SFValley1

Another room features photos and artifacts provided by the Westmore family, leading make up and hair design artists in Hollywood for many years. Other walls feature photos taken by leading photographers Leigh Wiener and George Hurrell, historical photos from the Valley News, and architectural photos of noted Valley buildings, both old and modern.

The final room is devoted to art created by Valley artists, most notably sculptor Henry Van Wolf.

The museum organization has existed for about a decade, but this is their first opportunity to display their collection in space of their own. They have done an excellent job. Admission is free, but donations are gratefully accepted. The museum is currently only open three days a week.

Wheelchair accessibility was fine, with an elevator up to the second floor. Parking was ample and free, at least on the Saturday we visited.

The website needs a little updating; it appears to date from before the opening, when the “museum” was just an organization with a collection but no site to display it. Hopefully the website will be updated soon, to reflect the recent opening and give potential visitors easier access to practical information like opening times.

We had lunch at Maria’s Italian Kitchen in Northridge before going to the museum. We have eaten there before, and other family members like it, too. Food and service were both excellent. Margaret had a chicken panini; Bob had a meatball sandwich; and Meredith had a salad. We were all pleased with our food.

Over lunch we filled Margaret in on family business. She was sorry to hear of her older sister’s recent hospitalization, and we helped her write a get well card.

Paley Center

By | |
Comments Off on Paley Center

Paley Center for Media
Beverly Hills
December 20, 2014

We went with Margaret to the Paley Center in Beverly Hills primarily to see a special exhibit, the Jay Ward Legacy. We had read about that exhibit in the Los Angeles Times. The exhibit featured original art from the Rocky and Bullwinkle show and the various related cartoons, such as Dudley Do Right, Mr. Peabody, and Fractured Fairytales. The lobby of the center was dominated by the Rocky and Bullwinkle statue commissioned for the special Sunset Boulevard block party Jay Ward staged in 1961 to promote the Rocky and Bullwinkle show when it moved to prime time.

A special treat we were not expecting also awaited us in the lobby: a Santa Claus was seated there entertaining the children who visited. Margaret was quite taken with him, and we waited our turn to visit with Santa.

Paley-Santa

After seeing the Jay Ward exhibit and visiting Santa, we went up to the second floor for another special exhibition, the Soboroff Typewriter Collection. Dozens of typewriters which had belonged to famous people were on display there, along with memorabilia such as vintage Time and Life magazines featuring the owners. We saw typewriters belonging to Ernest Hemingway, Jack London, George Bernard Shaw, Truman Capote, Ray Bradbury, and various other writers. The typewriter on which Orson Welles wrote Citizen Kane was on display, near the typewriter Jerry Siegel used for Superman and his other work. The Unabomber’s typewriter was on display. It was missing its cover; the docent explained that he had used it to make one of his bombs!

The docent encouraged us to visit the media library. This is a permanent feature of the center. There are a number of workstations, each with a large flat screen monitor and headphones. The visitor can search the center’s large media archive for television and radio shows and commercials. Inspired by the exhibit downstairs, we selected a Rocky and Bullwinkle episode, and the three of us watched it together at a station reserved for parties of 3 or 4 people.

There is a theater on the ground floor which we did not go into. It was showing a continuous loop of vintage Christmas cartoons when we were there. The same shows were running on video monitors in the lobby with the sound muted.

Admission to the Paley Center is free, as is parking. Donations are encouraged. The center is located on the southwest corner of Santa Monica Boulevard and North Beverly Drive. Parking can only be accessed from Santa Monica Boulevard. The center was fully accessible by wheelchair.

There are no café facilities at the Paley Center, so we had planned ahead to eat at a nearby restaurant, Walter’s Café. Our youngest daughter and her boyfriend joined us. Meredith first ate at Walter’s with that daughter, on a visit to L.A. several months ago. They found it through Yelp. The food and service were excellent on both visits. It is a family-run restaurant which has operated in Beverly Hills since 1949. The restaurant is small and casual, with an extensive sandwich and salad menu as well as various other offerings.

At the end of the day we met up with Meredith’s sister Kathleen at a Starbucks in the Valley. Margaret ordered her old favorite, regular coffee with cream and LOTS of sugar. We gave Margaret the Christmas presents we had for her, as did Kathleen.

Margaret’s energy level varied a bit today. She struggled with most of the transfers between wheelchair and car, except for the final one when we left Starbucks. We joked with her that it must be all the sugar that gave her the energy to climb into the car; she smiled and agreed. She struggled a little with aphasia while at Paley, pointing at items and not saying anything, although she seemed interested and curious. She did answer Santa’s questions, telling him she was from Maine, which is true because she grew up there, but we think she left him with the misleading impression she had just now come from Maine to L.A. for a visit. She was much more verbal at Walter’s and at Starbucks, telling us without prompting what items she wanted to order.

Fowler Museum (UCLA)

By | |
Comments Off on Fowler Museum (UCLA)

Fowler Museum
November 29, 2014
Westwood

We went to the Fowler Museum of Cultural History on the UCLA campus. It is a small to midsize facility which at any given time shows several special exhibitions and also has two galleries devoted to items from its permanent collections. The main focus of our visit this time was a set of exhibitions with textiles as the theme. In a press release last summer, the museum’s curators referred to it as a “textile trifecta”, and so it was.

The first exhibition we looked at was Bearing Witness: Embroidery as History in Post-Apartheid South Africa, which featured some hand embroidered modern pieces made in South Africa. They were mounted on the walls around the central atrium, and we strolled along looking at each piece in turn.

We then saw Yards of Style, a display of African print cloths from Ghana. The bright colors were a feast for the eyes. The explanatory material in the gallery described the different manufacturing methods and contrasted qualities of the higher end fabrics, made in the Netherlands and in Africa, with the less expensive ones made in China. There was an interesting array of prints, from traditional geometric and abstract designs to common everyday items like cell phones and clothespins.

We next went into the exhibition called Textiles of Timor, Island in the Woven Sea. The gallery featured many hand woven items, both women’s tube skirts and men’s shoulder cloths. There were several videos playing inside the exhibition, with interviews of native weavers and displays of the dyeing and weaving processes.

Margaret particularly liked the hand embroidered pieces and the videos showing the hand weaving process in Timor.

The Fowler sometimes showcases a modern artist, and this time was no exception. We strolled through World Share: Installations by Pascale Marthine Tayou. There were some interesting pieces, but all in all it was not really to our taste.

We decided not to visit the anthropological permanent collection gallery this time, but we did revisit the Francis E. Fowler Jr. silver collection, which we have seen several times before. It includes a number of strikingly beautiful pieces both American and European.

Admission is free, but visitors have to pay for parking. We parked in the hourly parking section of parking structure 4, off Sunset Boulevard, as recommended on the museum website. From the underground garage a visitor can take either the elevator or the stairs up to the plaza level, and it is a short walk to the museum from there. After our visit to the museum we strolled around the campus a little bit, over to the campus store and to visit the UCLA Bruin statue, then back to our car.

Getty Center — Tapestries

By | |
Comments Off on Getty Center — Tapestries

Getty Center
Sepulveda Pass
November 15, 2014

We took Margaret to see the special exhibition at the Getty, of tapestries and related paintings by Peter Paul Rubens. The tapestries are part of a larger set celebrating the Triumph of the Eucharist, commissioned in the 1620s by the Infanta Isabel Clara Eugenia, the ruler of the Spanish Netherlands. The tapestries were woven in Belgium and installed in the Convent of the Poor Clares in Madrid, an institution closely associated with the Habsburg monarchy. We first learned about the exhibition through a preview piece Joyful Weaving of Art in the Los Angeles Times. After it opened there was a longer review in the Times, Wonders Unfurl, as part of an article which also looked at a tapestry exhibit in New York.

Getty-Rubens

The tapestries are of monumental size. Next to them were paintings on oak panels that Rubens had made as models from which the weavers could work. It was interesting to note that the paintings are mirror images of the tapestries. The weavers were working from the back side of the tapestries and this reversal of the pattern image made their work easier. Although the colors have faded slightly with time, the tapestries still show remarkable shadings of detail.

The overall spirit of the series is triumphalist, very much in keeping with the Counter Reformation period in which they were made. They are devotional works and celebrate one of the central mysteries of Catholic Christianity, the sacrament of the Eucharist. Some panels are allegorical, such as the victory of Truth over Heresy. Other panels illustrate scriptural stories which Catholics see as prefiguring the Eucharist, such as the sacrifice offered by Melchizedek for Abraham, and the gathering of manna in the desert.

After touring the special exhibition we went over to another building to see a Rubens painting in the permanent collection, of the Caledonian boar hunt. We strolled through that gallery and looked at other period paintings, mainly by Flemish artists. Margaret enjoyed a Rembrandt self portrait in which the artist is laughing.

Admission to the museum is free, but parking costs $15. The parking system has been changed so that one pays on leaving, rather than entering.

We ate at the museum café. A nice feature is that there are half a dozen different stations, so one can select from a variety of choices. We each enjoyed Mexican food; Margaret had a fruit salad from the grab and go section.

We enjoyed the tapestries and related panels a great deal. Margaret was not particularly interested in them. Her preferences run more to historical and anthropological museums, and less toward art. After the museum visit she was very interested to hear about our trip to Ontario last week, where we met three of her cousins. They had asked to be remembered to her, and she enjoyed hearing about our dinner with them. After we left the Getty we met up with Kathleen for coffee and showed both Margaret and Kathleen our slides from Brampton and Toronto. We gave Margaret a framed photo of Meredith with the cousins which she was very pleased to have.

Skirball — Films

By | |
Comments Off on Skirball — Films

Skirball Cultural Center
November 2, 2014
Sepulveda Pass

We took Margaret to see the “Light and Noir” exhibit at the Skirball. For more information about that museum generally, see our post from July 2014. This exhibit was about émigrés and exiles who came from Europe to Hollywood, and about their role in making movies in the 1930s and 40s. It dovetailed nicely with our prior visit to LACMA, with its “Haunted Screens” exhibit about German expressionist filmmakers in the 1920s. (See the immediately preceding post.)

We followed a red carpeted walkway from the main Skirball museum over to its special exhibition space. The hallway was lined with movie posters from Academy award winning movies associated with émigrés and exiles, including for instance The Lost Weekend written by Billy Wilder. The first part of the exhibit had photos from the building of Universal City in 1915. Carl Laemmle, who founded Universal Studios, is a leading example of one of those who emigrated to the United States for better opportunities. The exhibit then shifted from émigrés to those who were exiled from Europe, that is who had to flee Nazi persecution. One display case had immigration papers for a number of well-known Hollywood personalities, including Marlene Dietrich, Peter Lorre, and S. Z. “Cuddles” Sakall. There was a whole room given over to Casablanca, a movie whose cast was made up largely of exiles. We knew this from having read the book Round Up The Usual Suspects by Aljean Harmetz some years ago, but we love the movie, so it was fun to watch the film clips and see the rest of the items in that room.

In the main exhibition space there was a clever division, with one side given over to displays about comedy movies made by exiles and émigrés, and the other side given over to noir movies. The comedies included, among others, Harvey and It Started with Eve. The noir side included Mildred Pierce and Sunset Boulevard, another one of our favorites. Looking at the Mildred Pierce display, Margaret commented that she had never liked Joan Crawford. Meredith replied that was probably a common sentiment. Bob, the contrarian, suspects that was not a common sentiment until the biographical movie Mommy Dearest came out, based on the book by Christina Crawford.

The last part of the main exhibition had a section with displays about the Hollywood 10 and the House Committee on Un-American Activities and another section about the émigré salons and social life in Los Angeles.

We then returned to the main part of the museum and toured a related special exhibition about the “noir effect.” That exhibit featured contemporary art, such as paintings and graphic novels, which draw on the noir film genre. One wall had a large photo of a street scene, in front of which the visitor was invited to take photos. We did.

Skirball noir effect

We ate in the museum restaurant, which we have always enjoyed. Lately Margaret has seemed to want quesadillas whenever we go someplace that offers them. Zeidler’s does not. We had joked before we picked her up that maybe she would want a cheese blintz, which is the closest thing to a quesadilla on this menu. Without prompting from us, she did in fact ask for cheese blintzes when she saw them on the menu. She enjoyed them, as did Meredith. The blintzes were served with a large side portion of fresh melon and pineapple slices. Bob had a salmon pastrami sandwich, which he also enjoyed.

The museum was quite busy. In addition to many regular visitors like us, there was also a conference going on and a wedding party on the central terrace. Usually we visit on Saturdays, and we did not recall the museum being this crowded before. This time we went on a Sunday, and perhaps the facility is busier then, since it is not the Sabbath.

Parking is free, and there is a large parking garage. Wheelchair access is easy. The museum participates in the Bank of America Museums on Us program.

LACMA

By | |
Comments Off on LACMA

Los Angeles County Museum of Art
October 12, 2014
“Miracle Mile” Wilshire Boulevard

We took Margaret to the Los Angeles County Museum of Art (LACMA) to see a special exhibition, “Haunted Screens: German Cinema in the 1920s.” The exhibition featured over 150 drawings and set photos from German movies of the 1920s, both silent and early sound era. There were also several screens showing clips from the movies featured in the exhibit, and a number of contemporary movie posters were displayed on the wall. We first heard about the exhibition through an article we saw in the Los Angeles Times. The set design drawings were quite evocative. Meredith was struck by the skill and artistry of some of the watercolors. Bob was amused by the directions written on some of them including the word “achtung.”

LACMA haunted-screens

We next went to see another special exhibition, “Big Quilts in Small Sizes: Children’s Historical Bedcovers.” The museum has drawn on some of its reserve collection and displayed a dozen quilts, mostly from the 19th century and a few from the 20th century, all handmade and small in size. This was the exhibit Margaret liked best. She has been quite adept at handwork of all sorts and particularly likes quilting. She admired the careful work on several of the pieces displayed. After seeing the quilts we strolled through some of the permanent collection in the Art of the America’s building, stopping to admire a gigantic mirror that once adorned a mansion in Menlo Park, then served as a Hollywood prop for decades, before finally joining the museum collection in the 1990s. On our way out of the museum complex we went through the Japanese art building and stopped to browse through the special exhibition of modern kimonos. We particularly liked the ones that illustrated abstract flowing water designs, especially one that had dragonflies on it.

The museum complex is quite large and encompasses nine different buildings. It has an impressive collection spanning many countries and eras. One could certainly spend a full day there and still not see everything. The museum is located at the west end of Hancock Park; the Page Museum, better known as the La Brea tar pits museum, is at the east end of the park. The park is a fun place to stroll, and features the novel sight of various tar pits large and small interspersed throughout the lawn area that makes up the park. The aroma of liquid tar may not be to everyone’s taste, however!

We parked at the east end of Hancock Park, in the lot that is actually associated with the Page Museum. That lot cost $9 – the weekend rate – and put us closer to our favorite area restaurant, Johnnie’s New York Pizzeria. (There is also parking in a garage at the west end of the museum, which costs a little more.)

We met up with our youngest daughter and her boyfriend for lunch at Johnnie’s before going over to the museum. Margaret surprised us by choosing something other than her regular dish, turkey panini. This time she had what Johnny’s calls its Italian quesadilla – thin pizza dough with melted mozzarella and pesto sauce. It was quite good. The young people had other plans so did not join us at LACMA. Discussion over lunch of our visit to the Torrey Pines reserve prompted Margaret to recall a very large white pine which grew in the yard at the Dresden Avenue home where she grew up, in Gardiner, Maine.

Admission to LACMA is $15 for adults, $10 for seniors. Bank of America customers who visit on the first full weekend of the month can get in free by showing a B of A debit or credit card. Wheelchair accessibility is good, although one sometimes has to hunt for the ramps and interconnecting bridges between buildings.

Torrey Pines State Reserve

By | |
2 Comments

Torrey Pines State Reserve
October 11, 2014
San Diego

This outing was just the two of us, close to home; Margaret did not go with us. Torrey Pines State Reserve is in the northwest corner of the City of San Diego, just south of Del Mar. There are multiple interlocking trails up on the mesa overlooking the beach. The trails are mostly of intermediate difficulty; a couple are easier, but none are wheelchair accessible.

Torrey M&R

There is a $15 day use fee for the park, which is part of the state park system.

Our main purpose in coming here was to hike, but we also spoke with the docents stationed at the trailhead, who told us a great deal about the geology of the area and showed us rock samples to illustrate their points. After our hike we explored the visitor center which, although small, offers well designed explanatory displays about the area vegetation, animals, and geology.

Torrey VC

The different colored layers of the cliffs are quite striking. As we hiked to Red Butte and Razor Point we were able to see the effects of erosion and observe the sedimentary layers in the cliffs. We then hiked south over to Yucca Point, and then back to the visitor’s center. After viewing the exhibits in the center, we walked up to the High Point overlook, from which we could look inland to the east as well as north up the coast.

The land for the reserve was purchased and donated to the public by Ellen Browning Scripps in the early 20th Century. Her foresight and generosity saved the last large wild Torrey Pine woodland from development. This remarkable tree is the rarest pine in North America. It is only found in coastal San Diego County and on Santa Rosa Island. The tree is well adapted for the arid coastal climate; its extra long needles have grooves which channel dew and fog droplets to the ground where it can be absorbed by the tree’s roots. (It is also grown as an ornamental plant by some gardeners; seeds can be purchased from Anderson Seed Company.)

Park up top if you are hiking the cliff top trails or seeing the visitor center, or down below if visiting the beach. You can get plenty of scenic climbing on the trails; there is little point in a long walk up the steep driveway between the two parking lots!