Getty Center
Sepulveda Pass
March 8, 2015
We went to the Getty Center primarily to see the special exhibition J. M. W. Turner, Painting Set Free. We first stopped in the museum café, though, and had some sandwiches. It was a beautiful sunny and clear day, so we seated ourselves near the windows and had a good view of the gardens and the surrounding hills while we ate.
We then went to the Research Institute building on the Getty campus, to see a special exhibition of art associated with the First World War: World War I: War of Images, Images of War. There were propaganda images from all the major countries involved in the war, both Allies and Central Powers. They were also drawings by artists caught up in the war, illustrating the horrors of war and its aftermath. At the end of the exhibit short video clips were running, from silent movies made soon after the end of the war. Those videos recreate the battlefield, as imagined by filmmakers soon afterwards. That exhibition closes on April 19, 2015, and we had been planning to see it for quite a while, since we are both interested in history generally and the history of World War I in particular.
We then went on to the special exhibition building. The Turner exhibition focuses on the last decade and a half of his life. We both liked his nautical paintings, particularly Snow Storm—Steam-Boat off a Harbour’s Mouth, which is the iconic painting used in the museum’s poster for the exhibition. Also of interest were the series of watercolors he did while traveling in Europe. He used those as studies to show potential patrons, who could then commission a larger oil painting of the subject. The watercolors themselves were well done and capture the imagination although they are smaller and simpler than his oil paintings. Several of the large oil paintings in the gallery were unfinished. Turner painted the base and general background on those but had not added detail. Bob was very interested in his painting Hero of a Hundred Fights, showing an industrial forge and reworked to add a bronze statue of the Duke of Wellington being removed from its mold. The Turner exhibition will be at the Getty through May 24, 2015. There was an extensive review of the exhibition in the Los Angeles Times about two weeks before we went.
Margaret grew tired near the end of the exhibition and wanted to leave early, so Meredith took her out while Bob finished looking at paintings in the last gallery, then we swapped off, and Meredith went back into the exhibition. Bob and Margaret strolled around on the plaza level and enjoyed the view out over the pass looking south.
Admission to the Getty is free, but parking costs $15. Despite numerous signs telling people to pay at a machine before going back to the car, we managed to get stuck in the exit lane behind someone who failed to do so. After that minor delay we headed back to the Valley and met up with Kathleen, Meredith’s sister, for coffee.
Wheelchair access at the Getty is very good. There are several levels but the buildings mainly connect just at the plaza level, so one has to go up and down in elevators as you move from one building to another, and the elevators can be a bit slow.